The Sangeet Novus Sensus has been composed for a socio-ethno musicologist coming from the Eridanus constellation 200 years to our Earth. This demo was produced in 1995-96 in the former East-Europe as a reflection of the sociological experience having obtained in the late 20th Century. Its technological basis have been a PCM morphology utilizing the old FFT spectrum-analysis as an algorithm controller and a virtual overtone-synthesis software developed by me. Here appears the music as a physiological sōma (“szleg”) and seems to be one of the potential acoustical solutions of abandonment from the earthly reality and of the generating the social-Moebius consciousness based on my “computed mēmesys” technology. The modular goa-electronics, the matrix topology of tablá-mēms, the synthesized carcinogen PCM sequences, the Hindustan style of astral-hallucinogen orchestration or the polyphonic application of the analyzed interstellar noise spectrum samples or the geometric fractal loops induced by Zipi programming and the Pythagorean methodology of the sound mixing – all have spun a mēmetic cobweb around the average phosphorescent acid-consciousness having been grow in consequence of the alienation trend in this century, so the Sangeet Novus Sensus appears as a refined “prána of transocietē” of the millennium. Later on, when the humanoid consciousness transplanted into networks and the human race settled down into the stratosphere of Jupiter – in those days the original frequency algorithms of the music being converted into laser needle impulse were plugged in the synapse of the human neuron outcome and they were stimulated by thousands of 3D-16 Hz BPM impulses/minutes – began a new era of the music history and the hidden meaning of Sangeet Novus Sensus became as an ethnological nightmare of the past.
/L.H.’s memoires in „Technomusicology”, 2009/IV. pp. 109.-128. October edition, under title: „The Virtual Mêmesis of Music”./