1998 – Aeon (Guo-Ang)


Precious and rare recordings from the age of Paleolithic and the 1st Millennium, namely from the Mammoth Venatio Fest at La Moustiére culture to Kontakion Akathistos hymn from the Byzantine Paraklété. In the course of extracting the musical gravitrons from the time-capsules of original atmospheres it has become possible to acoustically convert the contemporary orchestration into a tonal system of our days. This process (yuga-processing) will postulate the application of a so-called Timekalpa-convoillusion plug-in, developed by el-Horto, during the spectral analysis of chronospheric residual sound radiation. The contemporary sampling is completed through the insertion of an adaptive filter (brain-synthesizer of el-Horto), that will resolve the problems of Heisenberg’s time paradox during the processing of solitons of Neander-Egyptian-Hellenic-Roman-Hittie-Scythian time-strata (or pororoca of the Aeons). The time-strata are being unfolded in an onion-skin like way from acoustical funnels driven into Schwarzschild zone of wormholes onto the wax surface of gramophone cylinders, where the kronopit engraving and the filtering and amplifying of very weak signals, the so-called hixspores will be converted into sequences of digital signals, and thus the acoustical reconstruction of the past is becoming reality.

  – Aeon –

(apocryphal musicological fragments from the Paleolitht to the 1st. Millenium)

Track 1. ~ Paleorite: 7:25′
recorded under the “Mammoth Venatio Fest” at La Moustiere in the vernal equinox day the B.C. 75 000.

Track 2. ~ Neolithurgos: 8:29′
“Maglemose” type of rituals from the Tavernois Culture, recorded in a day af lunar eclipse B.C. 9752.
Recorded at the territory of the later Zymbabwe.

Track 3. ~ Ka-Venamon : 8:25′
Ré-Harakhté congregational psalm (queni) in the temple of Der el-­  Bahri with the “Nile-nomos” instrumental rababah service by the nigromans.
Recorded in the day of Kúfú, B. C. 1427 near Theba.

Track 4. ~ A sudduli appú : 8:19′
Hittíta military music piece – belonged to the School of Matusílís –and the collective
breathing-process of the divine “hai” trance syllabe for the Gamuhái Istár.
Recorded in the  VIII. Dekas of the year B.C. 1420 at Karatepe.

Track 5. ~ Synaphé : 8:05′
A theatrical anakrousis (prelude) with the fragments from the aulos­  -nomos: “Apollon and the Dragon”, and an epinikion part by the choir Sybilla nuns from Delphoi Oraculum accompanied by hydraulos.
Recorded in the day of Thíasos B.C. 162, Megara.

Track 6. ~ Enterpé laudation : 7:25′
Ludi Cereales, an orphic ritual music with cythara and hydra, Kübelé panergycal piece by tibia (flute-pipe) and dance musíc for Ares-Mars festum performed by the Salius priests.
Recorded 13. mensis Aprilis ab urbe condita 849, namely in the year of Nerva lmperator A.D. 97.

Track 7. ~ Rúno – latar : 10:08′
Tvisöngur choir of the old Viking caciques accompanied by the lur (alphorn) and ancient gall pastorale on suegalum (flute-pipe) with a runo fragments on jouhikko (lute)  and gigja (fiddle),later gangar dance music accompanied by the tartöld (ancient teuton bassoon) and the langleik (bourdon) with the choir of Druids.
Recorded a day of Leif, month of the vernal-breeze, A.D. 620 Nidaros.

Track 8. ~ Avarhyton : 7:38′
The male-female aspect of the Samanic exaltation, tuwa-doromb singing
at the feet of the Departed Ancestors great-black-wood face “kamennaja baba”
accompanied by the Avarian “tárogató syo” (according to Theophülaktos)
scythian sístrum and rhyton (Lehel ‘s oliphant)  with Kontakion Akathistos
hym (an epikhéma from the Paraklété, thanksgíving after the Avar invasion )
blended by a dual­  reed pipe of  ison type comes from the Avar tribes.
Recorded in the day of Vesper, A.D. 626. Janoshida.


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