1992 – 2023 / Arcadian Collection (reMix-reMastered)

 

reMix-reMastered Version Series Vol.2.

audio & ordering:

https://amarxe.bandcamp.com/album/the-arcadian-collection-1992-2023-re-mix-mastered-version-series-vol-2

https://youtu.be/wSYw1uDnHfI

 

01_Rājanāgas 07:10
02_Bīnkarma 07:20
03_Arcangītā 05:40
04_Samhitā 06:31
05_Darbhai 13:20
06_Tārangothic 05:30
07_Bīnagajah 06:25
08_Jahanna 06:43

 

Arcadia ? – Oh yes, even the ancient Greeks.
Probably because it was needed even then.
Somehow there’s no Arcadia here. But if you look, you’ll find it.
Like eL-Horto, however not in the past of Peloponnesus, but during the expedition leading to the depth of collective consciousness and its exhumation.
He also found an Arcadia that has nothing to do with the coveted but false vision of utopias, but rather with the world of the true nature of the human soul transformed into cultural rituals.
This is the otherworld, or gravastar world, which can be accessed by jumping chronosynchronously over the speed-of-light threshold or by closing your eyes.
At this moment the headspin somersault occurs (pycnolepsyThe Art of Disappearance), that is the discharge of the soul’s gravity bubbles made up of hexagonal mēme-structures) and immediately, we find ourselves in the world of Arcadia.
On the Arcadian fields, the withered bodies sing in supplication, their hands clasped in the sky and their eyes feverishly shining, waiting for the final enlightenment that will snatch them from the forced chain of possible rebirths (samsāra) in the corotation circle of galactic fields.
This can also be heard in the atomic flame light of the final bodhi state where, in the final incineration of all good and evil human souls, individual final bliss is realised and its paroxysm of souls bursting forth in the performance of Arcadian music and songs.

Performers of  The Arcadian Collection
1992-2023

01_Rājanāgas (1991) 07:10

Choir of the     Mahagon Naga King’s College
Stringu lars      The Ambrosian Conservatoire Vādya Vrinda, Imphal
Voice                    Dmitrij Hazrul Sawan-jī Mahārāj
Keyboards and Electronics Seichi Bua Tatematsu Courtesy of the Fujiwara Opera Kai
MidiStickBass Lāszlō Hortobāgyi
Drums         Ustād Girdār Hussain of Punjab Bāj
Guitar I         George Darshan Singh
Guitar II         Olaf Magnus Bannerjī of Mewat
Cello                   Srmti.Carmen Harbhajan Kaur
Naqqāra          Shri Hamid Lal Raskow
Monks             of the Bender-Log Ensemble

 

02 – Bīnkarma  1983. Time: 7:00

Choralschola         of the Subbarāma Monat
Choralschola         of the Subbarāma Monastery at Montserrat
Strings                     of the “Ensemble Sequentia Royale” Allahabad
“Pro Electronique”     Collegium Musicae Aureum,Hyderabad
Rudra-vīnā/bīn         Lāszlō Hortobāgyi
Tablā                              Ustād Waliullah Khān of Dacca
Naqqāra                        Igor Jalil Nasif
Rāma-cymbal         Srmti.Laurabhai Mohanan
Class oftonality/jāti            Asāwari
Rhythmic cycle/tāla     48 mātrā Vilambilaya Tintāla
Emotional mode/rasa     Karun /compassionate,anesthetised/
Time of play         3rd quarter of the night

 

03_Arcangīta 05:40

Voice of                 Ustād Ramzan Hayashī of Hokkaido
Choir of the            “Elymos Heron Androgyn Schola Cantorum”
Choir of the        Staunch devoteeof Azade Kopronümos,
                              I’hattauch,Okambonan of DalhousieI’hattauch,         
Alboque Horns       Shri Rambouille Mishra
                              Abdul al-Razzāq Sükrüllah
                              Ustād Hāfiz Germain Saha Khān
                              Shri Bua Waze Ichalkaranjikār
Crummhorns          Percy Ernst Bhattāchārya
                              Markward von Anweiler
Midistick-Bass      Lāszlō Hortobāgyi
Naqqāra I                Abu Hasisa of Benares
Naqqāra II          Mohammad Aiyub Khān of Bartholi
Tsuzumi            Hare Cuneszuke Kjuzaemon
Gong Gede           Soelaeman Pangearan Itabo
Percussion             “Pentium Intelekrtical Vādya Vrinda”

 

04_Samhitā 06:31

Gamelan Orchestra “Sekaten Kyāhi Guntur Madu ” of Jāva
Choirofthe              “Hypodorean MusicaeAtriumofAthmos
Metallophon           Chintāmani G. Jāyarāman
Gender I               Poeroebojo Matuku
Gender II                Srmti.Nyi Toekinem Beatrix
Organ                Lāszlō Hortobāgyi
Barafon                Sematimba Kaygwe Kikwabanga
Saron                Chitwansombo Mapoma
Tāranga                Habibullah Khān of Mālwā
Kagekoe                Kazue Miyagi Chofu
Ageng Gong           Shri Waldemār Ujjain
Thaī Gongs               G.Ijaw Hiburan Hussain

 

05_Darbhai 13:20 (Rec.live 28. Oct.1984, Budapest)

Nembutsu choir     
Vocal                Pandit Bhīm Faiyyaz of Rangile
Sitār/Gāyaki Ang      Lāszlō Hortobāgyi
Tablā                   Shri Petīr Salayan
Tāranga                Yashwantrāj Ghulām Hussain
Surbahār-drone      Ustād Baqir Ali Shardār
Regal-vādak      Srmti. Rājeshwari ja
Sistrum                   Kunnakudi Juan Garcia
Gong Gede         Wadjī Shriwahortone
Tānpurim Dream     Srmti. Ngatija Berenice

 

06_Tārangothic (1989) 05:30

Vocalist I                Nārāyan de Meaux of Gwalior Gharānā
Vocalist II               Smti.Annapurnā
Tablā                    Ustād Jyotish Hussain
Fretless-bass           Lāszlō Hortobāgyi
Regal                         Alois L.Kabra
Harp                    Srmti. Bhegum Corkhill
Chittara Saracenica Pandit Damodār Sermisy
Sistrum                   Andrea von Weerasingme
Gongs                     U.Darminto Dorai

 

07_Bīnagajah (1992) 06:25

Choir of the        Ciprian-justitian Monastery, Athos
Choir by the        Imperial Naga Collegium Vocale, Dunbar
Rudra-vīnā/bīn    Lāszlō Hortobāgyi
Tablā                      Ustād Zaffar “Baggar” Khān of Kahthiawār
Bass                      Lasla Hortobāqqi
Drums                Felix “Boo-Pee” Chaudhury
Guitars                Earl Chinna Kumār
Guitar-Synth        Franklin “Blubber” Zulfiqār
Tānpurā              Srmti. Meredith Dewaskār

 

08_Jahanna (1977.Oct.28) 06:43

Recitatio          Iman Mirza Ghulām Safavī
Organ          Lāszlō Hortobāgyi

 

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