1992 – Corpus Arcadia (Guo-Ang)

HUNGARIAN VERSION

Corpus Arcadia

Arcadia? Oh, of course, just like the ancient Greeks. Perhaps, because it was already necessary at that time, too. Here, we don’t really have any Arcadia. But, seek and you will find. Like eL-Horto and Guo, however not in the past of Peloponnesus, but during the expedition leading to the depth of collective consciousness and its exhumation. They have succeeded to find an Arcadia, but it has nothing to do with the desired but false concept of Utopias, much rather with the world of human soul’s real nature transformed into rituals. This world of antibody or gravastar can be reached through chrono-synchronized jumping the threshold of speed of light or closing our eyes. At that moment, the moment of somersaulting occurs (pycnolepsy, that is the discharge of the soul’s gravity bubbles made up of hexagonal meme-structures) and immediately, we find ourselves in the world of Arcadia. In the Arcadian fields, there are withered bodies singing in a praying position with looming hands and feverish shining eyes, and they are waiting for the final enlightenment that will rescue them from the inevitable sequence of rebirths being possible in the co-rotation circle of galactic domain (samsara). You can hear it in the atom flame light of the final bodhi state, where, at the final burning to ashes of every good and evil human spirit, the paroxysm, running all over the bodies, of the materializing individual Arcadian joy will explode in the recital of Arcadian music and songs.

Performers of  Corpus Arcadia
1992

01 – Nagarája-geet  1991. Time: 7:30.

Choir of the     Mahagon Naga King’s College
Stringu lars      The Ambrosian Conservatoire Vādya Vrinda, Imphal
Voice                    Dmitrij Hazrul Sawan-jī Mahārāj
Keyboards and Electronics Seichi Bua Tatematsu Courtesy of the Fujiwara Opera Kai
MidiStickBass Lāszlō Hortobāgyi
Drums         Ustād Girdār Hussain of Punjab Bāj
Guitar I         George Darshan Singh
Guitar II         Olaf Magnus Bannerjī of Mewat
Cello                   Srmti.Carmen Harbhajan Kaur
Naqqāra          Shri Hamid Lal Raskow
Monks             of the Bender-Log Ensemble

02 – Bínkari-stoa  1983. Time: 7:30

Choralschola         of the Subbarāma Monat
Choralschola         of the Subbarāma Monastery at Montserrat
Strings                     of the “Ensemble Sequentia Royale” Allahabad
“Pro Electronique”     Collegium Musicae Aureum,Hyderabad
Rudra-vīnā/bīn         Lāszlō Hortobāgyi
Tablā                              Ustād Waliullah Khān of Dacca
Naqqāra                        Igor Jalil Nasif
Rāma-cymbal         Srmti.Laurabhai Mohanan
Class oftonality/jāti            Asāwari
Rhythmic cycle/tāla     48 mātrā Vilambilaya Tintāla
Emotional mode/rasa     Karun /compassionate,anesthetised/
Time of play         3rd quarter of the night

03 – Arcangíta 1993. Time: 6:00

Voice of                 Ustād Ramzan Hayashī of Hokkaido
Choir of the            “Elymos Heron Androgyn Schola Cantorum”
Choir of the        Staunch devoteeof Azade Kopronümos,
                              I’hattauch,Okambonan of DalhousieI’hattauch,         
Alboque Horns       Shri Rambouille Mishra
                              Abdul al-Razzāq Sükrüllah
                              Ustād Hāfiz Germain Saha Khān
                              Shri Bua Waze Ichalkaranjikār
Crummhorns          Percy Ernst Bhattāchārya
                              Markward von Anweiler
Midistick-Bass      Lāszlō Hortobāgyi
Naqqāra I                Abu Hasisa of Benares
Naqqāra II          Mohammad Aiyub Khān of Bartholi
Tsuzumi            Hare Cuneszuke Kjuzaemon
Gong Gede           Soelaeman Pangearan Itabo
Percussion             “Pentium Intelekrtical Vādya Vrinda”

04 – Samarasa 1993. Time: 6:20

Gamelan Orchestra “Sekaten Kyāhi Guntur Madu ” of Jāva
Choirofthe              “Hypodorean MusicaeAtriumofAthmos
Metallophon           Chintāmani G. Jāyarāman
Gender I               Poeroebojo Matuku
Gender II                Srmti.Nyi Toekinem Beatrix
Organ                Lāszlō Hortobāgyi
Barafon                Sematimba Kaygwe Kikwabanga
Saron                Chitwansombo Mapoma
Tāranga                Habibullah Khān of Mālwā
Kagekoe                Kazue Miyagi Chofu
Ageng Gong           Shri Waldemār Ujjain
Thaī Gongs               G.Ijaw Hiburan Hussain

05 – Darbhairaví 1984. Time: 13:45 (Rec.live 28. Oct.1984, Budapest)

Nembutsu choir     
Vocal                Pandit Bhīm Faiyyaz of Rangile
Sitār/Gāyaki Ang      Lāszlō Hortobāgyi
Tablā                   Shri Petīr Salayan
Tāranga                Yashwantrāj Ghulām Hussain
Surbahār-drone      Ustād Baqir Ali Shardār
Regal-vādak      Srmti. Rājeshwari ja
Sistrum                   Kunnakudi Juan Garcia
Gong Gede         Wadjī Shriwahortone
Tānpurim Dream     Srmti. Ngatija Berenice

06 – Taranghazal 1989. Time: 7:00

Vocalist I                Nārāyan de Meaux of Gwalior Gharānā
Vocalist II               Smti.Annapurnā
Tablā                    Ustād Jyotish Hussain
Fretless-bass           Lāszlō Hortobāgyi
Regal                         Alois L.Kabra
Harp                    Srmti. Bhegum Corkhill
Chittara Saracenica Pandit Damodār Sermisy
Sistrum                   Andrea von Weerasingme
Gongs                     U.Darminto Dorai

07 – Naga-Vasanti 1992. Time: 7:30

Choir of the        Ciprian-justitian Monastery, Athos
Choir by the        Imperial Naga Collegium Vocale, Dunbar
Rudra-vīnā/bīn    Lāszlō Hortobāgyi
Tablā                      Ustād Zaffar “Baggar” Khān of Kahthiawār
Bass                      Lasla Hortobāqqi
Drums                Felix “Boo-Pee” Chaudhury
Guitars                Earl Chinna Kumār
Guitar-Synth        Franklin “Blubber” Zulfiqār
Tānpurā              Srmti. Meredith Dewaskār

08- Organ-sura 1977 . Time: 9:30

Recitatio          Iman Mirza Ghulām Safavī
Organ          Lāszlō Hortobāgyi

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